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Officers Chair and Secretary: Tae Hong Park, tel: 504.247.1695, e-mail. 2005 Meeting Schedule April 27, "Preservation Challenges" - Dr. Elizabeth Cohen discusses the enormity of preservation challenges, including format obsolescence, material degradation, location and identification of recordings. She discusses issues faced in the transition to digital preservation including standards development, the new skill sets required for engineers. She also discusses "preservation" through access and her efforts to liberate "orphaned" recordings. Elizabeth Cohen: Visiting Professor of Film, Television and Digital Media, UCLA; Consulting Professor of Electrical Engineering, Stanford University; President, Cohen Acoustical Inc.; Past President of the Audio Engineering Society and an active member of a number of the AES Technical Council committees. Tulane University Music Department, Dixon Recital Hall on April 27, 2005 at 6:30 PM. 2004 Meeting Schedule October 5, "The New Music Technology Program at Tulane" - Tae Hong Park discusses the formation of the new Music Technology program at Tulane, including the undergraduate curriculum development between the Departments of Music, Arts & Sciences, and Engineering as well as the Masters program in Music Technology. He also gives an overview of the field of Music Technology, and discusses his research into Timbral Recognition. Timbral Recognition is the process of identifying musical sounds using various digital signal processing techniques. Tae Hong Park is an Assistant Professor of Music at Tulane University and is a composer and researcher in digital audio applications in music. He has an undergraduate Electrical Engineering degree from Korea University and worked for several years designing vocoders for cellular telephones. He earned a masters in Electroacoustic Music from Dartmouth College, and received his Ph.D. in Music from Princeton University this year. NOCCA, 2800 Chartres Street, New Orleans, LA, 7:00 p.m. 2003 Meeting Schedule October 21, "Loyola Music Technology Teaching Room" - Sandy Hinderlie discusses the design of the music technology teaching room and demonstrate its capabilities. Monroe Library, Loyola University, New Orleans, LA 70118, 7:00 p.m. August 12, "Catching the Curveballs of Production Film Sound Recording" - Paul Ledford and Jeffrey Haupt speak about production film sound recording and display some of the specialized equipment necessary for the job. Swelltone Labs, 400 Lafayette Street, Room 120, New Orleans, LA 70130, 7:00 p.m. July 8, "Piety Street Recording Tour" - Piety Street Recording opened in September of 2001 as a joint venture between Mark Bingham, John Fischbach, and Shawn Hall. The studio complex is complete and open for business with tracking, mixing and mastering facilities. 728 Piety Street, New Orleans, LA 70117, 7:30 p.m. June 12, "Deacon John’s Jump Blues DVD Production" - Cyril Vetter, David Farrell, Jake Nicely and Jim Kaiser speak about aspects of Deacon John’s Jump Blues DVD production from concept (Cyril Vetter), tracking (David Farrell of Ultrasonic Studios), mixing for surround (Jake Nicely of Seventeen Grand Studios in Nashville) and mastering (Jim Kaiser of MasterMix in Nashville) at Swelltone Labs, 400 Lafayette Street, New Orleans, LA 70130, 7:00 p.m. 1999 Meeting Schedule June 9, "Current Trends in Digital Audio Workstations" - Local users of Digidesign, Sonic Solutions, SADiE and other workstations discuss current features and how they use their workstations at Mea Culpa Studio, 3646 Airline Highway, Suite 2, Metairie, LA 70001, 7:30 p.m. 1998 Meeting Schedule October 19, "AES Convention Review" - David Farrell, Steve Reynolds and Joe Doherty bring back their impressions of the September San Francisco Audio Engineering Society Convention at Warehouse District Pizza, 325 Howard Ave., 7:30 p.m. September 21, Grammy Award winning recording engineer David Farrell of Ultrasonic Studios gives a drum tuning lecture and demonstration oriented towards recording engineers at Loyola University Communications/Music Complex, Room 237, 7:30 p.m. July 28, Larry Blake and Jay Gallagher "Ultrasonic Digital Film Mixing Room Tour" at 400 Lafayette St., 7:00 p.m. 1997 Meeting Schedule June 28, Social Meeting "Crawfish Boil" at Jaeger's Seafood and Beer Garden, 1928 West End Park, 3:00pm to 6:00pm (40 people max.) April 30, Dr. Elizabeth Cohen "High Quality Audio and the Internet of the Future" at Loyola University Communications/Music Complex, Room 230, 6:00 p.m. March 26, Larry Blake "Peeking Under the Kimono of Film Sound" at Cannon's Restaurant February 14, Joint meeting with SPARS at New Orleans Digital 1996 Meeting Schedule November 13, Report on the AES convention by members who attended October 23, Alan Ditch discusses In-Ear Monitors September 11, Social Get Together at New Orleans Digital July 24, Tom Nousaine separates hype from reality in the audio industry June 5, Roger Nichols presents his perspective on digital vs. analog domains at Cannon's Restaurant April 10, Chopper Brady focuses on live sound reinforcement and his experiences at the House of Blues February 27, Ken Lomas discusses career paths in professional audio and music production January 10, Bart Colosino and Andy Mortensen discuss differences between an independent ISP and a national online service provider 1995 Meeting Schedule November 8, Sonia Tedesco discusses the hearing system and hearing problems critical to AES members' work October 11, Report on the AES convention by members who attended September 6, Tom Scott gives a basic "telephony 101" tutorial, covering Switched 56, ISDN and T-1 July 19, Presentation on compact disc mastering by Parker Dinkins |
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